In-determinism in Susanne Langer’s Philosophical Concept of Feeling and Eastern Thinking Tradition

Abstract

Western centre-periphery concepts of experiencing art within current (neuro)aesthetics show the way Susanne K. Langer’s philosophy of art intersects with the non-Western mode of thinking. To find what is conceptualised as undetermined in Langer’s philosophical concept of feeling and, more generally, art, this paper offers a shortened review of her position explained in several neuroscientific studies. Additionally, it looks at how Western neuroscientific categories would possibly lead a dialogue with the conceptualisation of creation and art in the Eastern thinking tradition. The submitted study aims to open a possible untraditional vista for comprehension of, first and foremost, a communicative function of art employing non-reductive comprehension of its nature. In the way of such a constituting, it will present overlaps of the neuroscientific line, Langer’s work, and Eastern (Japanese) thinking tradition. Thus, to also be onto the importance of the unacknowledged significance of Susanne Langer’s work, bridging will appear at the centre of attention.