Esej o farbách a (ne)farbách vo filme

Jozef Mergeš

Abstract


The essay is trying to debate about aspects of the perception in relations between black and white and color film, as opposed two approaches to the art of cinema. The leitmotif of this paper is finding the fundamental nature and authenticity of the film arts through the history of the transition from black and white to color film, and with respect to the whole society determinants influencing this process. From the professional point of view essay charts the basic functions of color in the film and highlights their importance for active perception of cinematographic work.


Keywords


black and white film; color film; color in film; authenticity in film

Full Text:

PDF (Slovak)


License URL: https://creativecommons.org/licenses/by/4.0/

      

 

ESPES (ISSN 1339-1119) is published biannually by Society for Aesthetics in Slovakia
Institute of Aesthetics and Art Culture, Faculty of Arts, University of Presov, Slovakia

This journal is open access and licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.