Životaschopnosť jedného prístupu. Poznámky ku kantovskej línii interpretácie kategórie vznešeného (pokračovanie)

Adrián Kvokačka


To elaborate the intention of previous contribution, this paper opens again the problem of reception of Kant's definition of the category sublime. Variations which perform Schopenhauer, Nietzsche and Adorno represent some innovative approaches. Bridging the history of this aesthetic category in the 20th century in theirs thinking, represents functionality of the sublime, which we observe through the transformations in artistic and aesthetic discourse and which encourages us to an contemporary revaluation of this concept.


sublime; post-Kantian aesthetics; Kant; Schopenhauer; Nietzsche; Adorno

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ESPES (ISSN 1339-1119) is published biannually by Society for Aesthetics in Slovakia
Institute of Aesthetics and Art Culture, Faculty of Arts, University of Presov, Slovakia

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